Featured Post

Heavy meta: Why am I So Single? @sosinglemusical

Image
Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Scenes from the Coliseum Sunday Afternoon


021220072920, originally uploaded by Paul-in-London.

It was Sunday evening around 10.30pm when I looked at my watch while waiting in the wings of the Coliseum and wondered what the hell I was doing there. Sure it was Barbara Cook's 80th Birthday concert. Sure she was great. Sure we were about to go on to sing two minutes in the finale chorus of Make Your Garden Grow... But after being there since 3pm it was a bit of a stretch. Well the concert didn't start at 3pm, it just felt like it did.

Mind you there were more than just a few of us in the chorus that jumped at the chance to sing with Barbara Cook when asked a few months ago. Hell even if it was for just two minutes we were there. Some people in the chorus did ask "Who is Barbara Cook?" to which I replied "Wash your mouth". Well, in the four years I have been in London I have seen her perform twice and got her autograph but all that wasn't intentional. But she is one of the interpreters of the great American song.

Barbara Cook's 80th was a fund raiser for World AIDS day as well. Cook has been doing this concert in the US for the past few months and getting raves for it. And you could tell why. Cook was in great form and it is always a treat to hear her sing. You get a sense of a performer wanting to share something with you, sing without pretension and with a lot of experience. It was a pity what could have been a tight 90 minute show without intermission was padded out for another 90 minutes with a lot of filler. That filler included "stars of tomorrow", dancers out of time, and Elaine Paige.

Paige came on in the second act and started telling Cook how much she adored her since she was young. She did this by rubbing Cook's back in a creepy manner and telling a strangely incoherent anecdote about how she first heard her sing. As she kept telling and telling and telling the story, throwing in some lines such as she couldn't afford a proper seat so some man "stuffed her up the back" (what the...?) the story made less and less sense. She finally finished the story and then inflicted on the audience a tourettes-induced version of "I Know Him So Well" with a spontaneous scream singing of lines like "leahrned about the maaahn bufah ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh fehhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhlll". This was then followed by a spectacle of "Cry Me A River" that was a cross between Judy Garland and Faye Dunaway in Mommie Dearest. It reminded me that she still is the worst thing you could ever see on stage. Seeing such a hammy screamer perform on the same stage as Cook has to be a crime. Actually seeing Paige perform on any stage surely has to be a crime. I was wondering if we can serve an ASBO on her for anti-social performances? Not even a theatre full of luvvies drunk on champagne from the interval could give her more than polite applause.

Fortunately Barbara Cook got back on stage after this horror and again she stopped the show. Alas it was getting close to our call so we did have to give up our box seats we had commanded for the second act and get back on stage. Even though we were in the finale, the show just wouldn't end. After many curtain calls the compere in a moment of dementia felt that it was time to get everyone to sing "happy birthday". A bit late since she turned 80 in October I thought . I think I got home by midnight. Well that was a night to remember...

On our dinner break we walked past Cook's dressing room only to be told off by her assistant for making too much noise as she was having a nap after dinner. And dinner was salmon. Maybe omega-3 is the secret for longevity and preserving those pipes. It would have been better than that Mexican we had in Covent Garden I suppose...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...