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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Concert: Accentuate the Positive

Before the curtain rises (or rather the gauze) on what became a rather memorable show, a choir waits for its cue and a full house waits for the show to begin.

After nine weeks of rehearsals it was show time. But the concert felt less of a show and more of a gathering of family and friends. A gathering that just happened to take place at the Palladium, where Judy, Liza, Barbara, Frank, Rufus and Jason Donovan have previously performed... To name a few...

Throughout what turned out to be a long day with much waiting around, in our spare time one tried not to gawk too much at the Judy Garland memorials both front and backstage, nor did I linger too much around Connie Fisher's dressing room (although I was informed to see Sound of Music before she leaves as the replacements are rubbish). In every corner of the building there is a sense of history about the theatre, although when you get to the bar you tend to forget all that when you are being charged £7 for a G&T...

True Colours went down well and I avoided tripping over myself even with the last minute changes to the choreography to enable us to be heard. The green shirt I wore in the second act was a little bit more controversial with comments ranging from "Great shirt" to "What are you a leprechaun?" Well it takes all sorts I suppose...

photo source: www.luthor.net.nz

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