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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Theatre: Parade


Source: www.donmarwarehouse.com

I found myself having a discussion this week with a lady who suggested to me that Parade at the Donmar is the type of music theatre that young men go for. I was thinking about this all last night as I watched this great production. Is there something about (relative) youth that makes one enjoy a music piece about a Jewish factory owner who is accused of raping and murdering a young girl, found guilty and sentenced to death only to have his sentenced commuted but then lynched by an angry mob? Ok so it isn't the happiest night at the theatre but it was so well told, well sung and well staged you didn't mind the lynching and the preaching. You even had to look hard to see the trademark Donmar black brick wall.

Looking around the theatre there was an over-representation of young men there interspersed among the usual Donmar types. The story is based on the true story of Leo Frank and the press frenzy that was whipped up by the case. The show works best when it focusses on the two central characters of Leo and his wife Lucile (played by Bertie Carvel and Lara Pulver). Mind you, there was so much angst, agitation and other odd mannerisms the two expressed throughout the play. Toward the end of the show when the two climb into bed together I couldn't help but think "Eeeeeeeeeewwwwweeewww". It was like watching stick figures on heat and seemed a little forced (and not just because the characters had been apart for a year)...

Anyway, Jason Robert Brown's music is great and Alfred Uhry's book keeps things moving along. So while it is a depressing story, it is still one that is curiously enjoyable. Well if you are a young man perhaps... And it probably helps if you have younger buttocks to withstand those Donmar seats... Act one runs for almost 90 minutes... A cast recording of this production is due out soon and dare I say it is probably worth getting...

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