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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Theatre: Parade


Source: www.donmarwarehouse.com

I found myself having a discussion this week with a lady who suggested to me that Parade at the Donmar is the type of music theatre that young men go for. I was thinking about this all last night as I watched this great production. Is there something about (relative) youth that makes one enjoy a music piece about a Jewish factory owner who is accused of raping and murdering a young girl, found guilty and sentenced to death only to have his sentenced commuted but then lynched by an angry mob? Ok so it isn't the happiest night at the theatre but it was so well told, well sung and well staged you didn't mind the lynching and the preaching. You even had to look hard to see the trademark Donmar black brick wall.

Looking around the theatre there was an over-representation of young men there interspersed among the usual Donmar types. The story is based on the true story of Leo Frank and the press frenzy that was whipped up by the case. The show works best when it focusses on the two central characters of Leo and his wife Lucile (played by Bertie Carvel and Lara Pulver). Mind you, there was so much angst, agitation and other odd mannerisms the two expressed throughout the play. Toward the end of the show when the two climb into bed together I couldn't help but think "Eeeeeeeeeewwwwweeewww". It was like watching stick figures on heat and seemed a little forced (and not just because the characters had been apart for a year)...

Anyway, Jason Robert Brown's music is great and Alfred Uhry's book keeps things moving along. So while it is a depressing story, it is still one that is curiously enjoyable. Well if you are a young man perhaps... And it probably helps if you have younger buttocks to withstand those Donmar seats... Act one runs for almost 90 minutes... A cast recording of this production is due out soon and dare I say it is probably worth getting...

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