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Life upon the wicked stage: Already Perfect at Kings Head Theatre

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Performing two shows a day on a Broadway run sounds exhausting enough. But when you’ve just had a not-so-great matinee and are having a crisis of confidence, I would assume the last thing you’d want is to confront your past. Yet that’s the situation in Already Perfect, writer-performer Levi Kreis’s slightly autobiographical journey of confronting the past and his younger self. With a series of toe-tapping and emotional songs in a sleek production, you’re invited to experience someone else’s therapy session. And with a show title called Already Perfect, you know what kind of session this is going to be. It makes for a show where nothing is left unsaid, even if it is unnecessary,  unbelievable or best left on a greeting card. It’s currently playing at the King’s Head Theatre .  The story begins in his dressing room after a matinee, with Kreis alone. The show didn’t go so well. Struggling after being dumped by a lover, pressure mounting on the evening show being filmed for poster...

Theatre: Parade


Source: www.donmarwarehouse.com

I found myself having a discussion this week with a lady who suggested to me that Parade at the Donmar is the type of music theatre that young men go for. I was thinking about this all last night as I watched this great production. Is there something about (relative) youth that makes one enjoy a music piece about a Jewish factory owner who is accused of raping and murdering a young girl, found guilty and sentenced to death only to have his sentenced commuted but then lynched by an angry mob? Ok so it isn't the happiest night at the theatre but it was so well told, well sung and well staged you didn't mind the lynching and the preaching. You even had to look hard to see the trademark Donmar black brick wall.

Looking around the theatre there was an over-representation of young men there interspersed among the usual Donmar types. The story is based on the true story of Leo Frank and the press frenzy that was whipped up by the case. The show works best when it focusses on the two central characters of Leo and his wife Lucile (played by Bertie Carvel and Lara Pulver). Mind you, there was so much angst, agitation and other odd mannerisms the two expressed throughout the play. Toward the end of the show when the two climb into bed together I couldn't help but think "Eeeeeeeeeewwwwweeewww". It was like watching stick figures on heat and seemed a little forced (and not just because the characters had been apart for a year)...

Anyway, Jason Robert Brown's music is great and Alfred Uhry's book keeps things moving along. So while it is a depressing story, it is still one that is curiously enjoyable. Well if you are a young man perhaps... And it probably helps if you have younger buttocks to withstand those Donmar seats... Act one runs for almost 90 minutes... A cast recording of this production is due out soon and dare I say it is probably worth getting...

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