Featured Post

The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

Image
A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Theatre: I Love You Because...



Not content with seeing just Hairspray this week, on Wednesday I went with John to see I Love You Because... at the Landor Theatre in Clapham. The Landor is a bit of an oasis in a cultural desert known as Landor road that is better known for the number of local youths with ASBOs and shops converted into bedsits. A pity since the show has been drawing in the crowds from across London that they have nowhere to spend their money before or after the show... Still it is my local theatre pub so the thought of seeing something that was really good at it was even more of a reason to get there...

The show is a quirky off-Broadway New York show that is actually pretty darn good. I have had the cast album for some months now, but hadn't given it much thought until Wednesday because let's face it, dramatic context helps. It helps allow for some of the more curious artistic choices (such as writing a song that prominently features a barista). The show charts the life and loves of the four central characters and being a sucker for any sort of character-driven show it held my undivided attention. It held the rest of the audience's attention too, particularly since the first song opens with a shower scene with the lead character. Alas there is no nudity as it is all just smoke, tight pants and a plastic shower curtain. Nevertheless the show was so entertaining and well acted that it was hard to be too disappointed by anything on offer... even the man boobs...

It finishes Saturday but hopefully it will have another life soon. Returning to the tube John and I were confronted with one of the locals on Landor road who has eschewed the need to beg and just started shouting at anybody who passed "GIMMAAHPUND!" and "AAAAH NEEDA PUND!" and "APUND! APUND!". Having recognised him in a previous street begging scenes across SW London I didn't think much of it, but John suggested to him he would need more than one pound to get good elocution lessons... We were leaving the Oasis indeed... Still, having seen a show where a rickshaw peddler picks up an actuary I was willing to belive anything was possible...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...