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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Movies: Hairspray


"Hairspray" movie poster, originally uploaded by knoopie.

To get over jetlag, I thought that an early session of Hairspray would do the trick. It did. There was so much energy on screen that it was impossible to fall asleep. And besides the prospect of seeing a movie with Michelle Pfieffer singing (and in a conga line), John Travolta dancing as a woman, Queen Latifah as a blond and Christopher Walken as a lovestruck husband was simply too good to sleep through.

All the musical numbers were pretty impressive showstoppers and pulled off with enough homage to John Waters to avoid it being a sanitised version of his original movie. It seemed so appropriate that Waters has a cameo as the flasher in the opening number as well. And while at times the story seems a little earnest, it was clear that the movie had its heart in the right place.

It has already had the biggest weekend opening of a musical, I hope it kicks Grease off its pedestal as the most successful movie musical in the last 30 years. Besides, unlike Olivia the lead Nikki Blonsky didn't need the others to dance around her (despite the bingo wings)... Oh and the music is so much better... Will be interesting to see how the West End production fares when it (finally) opens October this year...

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Play ball: Damn Yankees @LandorTheatre

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