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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Theatre: Rose and other adventures...

In the month it took to get my internet put up I did get up to the following:
  • Caught The Rose Tattoo with Zoe Wanamaker. Great play and well worth the £10 tix. It is great to see more Tennessee Williams plays in London and here is hoping that the fashion for reviving his work continues... It wasn't hard to resist doing ones best impersonation of Sicilian impersonator with colleague AW. It sort of goes, "Naw naw naw naw naw... Naht mah Rrrrose!" Perhaps it was the fine wine, but after the play AW and I photographed the grass on the theatre and groped a cast iron statue on Waterloo Bridge... It was a great night...
  • Saw Pelléas et Mélisande (translated: Pelléas and Mélisande) at the Royal Opera. I had been warned that the opera was boring so sat in the cheap seats but it turned out to be all rather exciting and dramatic. Sure it all ends in tears but what a way to go... The champagne at interval cost more than the ticket but it was all rather worth it... Particularly when Sir Simon Rattle was conducting...
  • Performed in London Gay Mens Chorus concerts in Edinburgh and Glasgow. It was music for bad boys that included Relax (don't do it) and the march and chorus from Carmen. I had a reading to do from Larry Kramer's lovely novel Faggots which went down like a treat too. Maybe it was in the intonation, my lovely dulcet tones, I just don't know. The choir will not be so much under the influence of Irn-Bru as well... I relied on it to get through the weekend concerts (particularly after arriving in Edinburgh having had not much sleep)...I won't be in the concert when it gets to London's Cadogan Hall in July but it is well worth booking for asap as it should sell out...

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