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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Music: Thomas no Bryn and Susan no Sarah

You know you might be in for an interesting evening when the director for the Barbican addresses the audience before the start of the concert apologising for the every-changing line-up.

Originally it was Thomas Hampson and Susan Graham who were appearing in this concert with the BBC Symphony. In February it was announced Hampson was withdrawing for personal reasons (a curious euphemism up there with gardening leave) and Bryn Terfel was stepping in as his replacement. Curiously the Barbican expected loads of people to get rid of their tickets at this point and offered replacement. I held on to mine. Then on Friday came the announcement that Sarah Connolly was stepping in to replace Susan Graham. By this point I had lost all interest in the concert, but since I hadn't seen Terfel sing live I figured it was probably worth still going to see.

Terfel is a great performer and even in the circle row seat which had some unusual acoustics (you could hear the orchestra like it was beside you but the soloists sounded like they were in the bathroom) it was great to see. The programme was a bit of mixed bag, but given the ever-changing line-up I suppose one should be grateful the concert ever happened...

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