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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Concert: Follies

Sunday evening I caught the Starlight Foundation's Charity Concert of Follies. Some jaded theatregoers had warned me over the weekend it would be a bit dire with its stunning array of B-list stars front lining it, but actually it was quite entertaining. There was something perversely amusing watching the punters in the packed-out Palladium go ape over a series of world famous (well, world famous in Britain) ladies in the 55 plus age bracket. Most I didn't recognise.

The show lends itself well to a concert version, as (much as I expected) while the music is great, the story is dire. Two hours of two couples - middle-class, middle-aged has-beens - bickering does not make a night of entertainment, even if that is the point. As a concert version it feels easier to ignore the story. But fortunately the piece has , and with the full orchestra on stage and even the odd cameo by ITV newsreader Sir Trevor McDonald...

Even sitting in the cheap seats it was a lot of fun, although I didn't hang around for the charity plug at the end of the evening... I had seen enough. Besides the people sitting either side of me seemed to both have a bad case of halitosis... Talk about that ticket being a false economy...

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
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Fantasies: Afterglow @Swkplay

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Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
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