Featured Post

The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

Image
Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Theatre: Caroline or Change (again)

Tuesday night was the opportunity to take An to see Caroline Or Change, which just won the Evening Standard Award for best new musical. Well comparing it to the other new productions that were in the running (Evita, Spamalot, Sunday in the Park with George) it is like comparing apples to oranges.

An missed the first 15 minutes after leaving his credit card behind at a shop so I had to fill him in at intermission on the story. He was surprised that so much happened in the first fifteen minutes, and actually thinking about it, composer Jeanine Tesori and writer Tony Kushner are very economical with the story. It moves at a brisk pace with both halves of the show running at an hour.

Again the show was fantastic. It wasn't a full house by any means which isn't surprising. Caroline lasted less than a year in New York. It doesn't have brand recognition being a new show, and maybe a show with a simple premise about Jews living in Louisiana with a black maid doesn't grab the punters. But everyone who sees this show seems to love it (judging by the audience reaction), and I suspect it is a show that might grow in popularity in the years to come. In the meantime, here's hoping that Tesori and Kushner continue to collaborate on new things. They did with Brecht's Mother Courage and Her Children this summer in New York with director George C Wolfe.

Tonya Pinkin's book and music is available at the National Theatre as well and on her website. Her live CD of Harold Arlen's songs is a particular treat and contains some great jazz versions of some classic songs. Her shop also sells DVDs of Beat Street too where she played the character Angela. She's also been on a host of television shows playing various characters... But Caroline can do what they all can't do... And that's worth going to the National Theatre for to find out...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...