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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Music: Sir Thomas Allen

Saturday night I caught Sir Thomas Allen in a recital of music by Fauré, Duparc and Ravel at the Wigmore Hall.

The first half was Fauré's La bonne chanson and L'Horizon chimérique and I thought they were great. I still had a bit of a hangover from all the merriment of Friday night so when it came to interval and everyone was bitching about how the old man was struggling through the music people started knocking back the drinks in the bar when they found out I was enjoying it.

Well there are a couple of points to make here. The first is that Allen is only 62. The second is that as I had never heard some of this music performed before I was more interested in the music than the quality of the performance. But the audience was very appreciative of Allen...

All told I preferred the Fauré works to the others. But I didn't hang around afterwards to get any of his CDs... I needed coffee...

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