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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Theatre: The Life of Galileo

Tuesday night I caught The Life of Galileo at the National Theatre. This is a new translation by David Hare of the Bertolt Brecht play. It is an epic story (at three hours and two intervals) but still an engaging tale of how Galileo as a genius in the scientific world was unable to deal with the consequences of his genius. He was a scientist not a politician, but to state that the earth moved around the sun challenged the entire notions of Heaven and Earth so was tantamount to heresy.

Simon Russell Beale as Galileo leads a terrific ensemble as the story unfolds from his scientific discoveries to his condemnation and eventual redemption as his work is smuggled out of Italy. David Hare's translation and the production kept things at a brisk enough pace, although a three hour play after a day at work is a challenge both for the actors and the audience.  It was a packed performance too which just goes to show that Brecht too can be accessible…

By the end of the play the real victory was that science and the pursuit of knowledge did triumph of sorts… But it did take the Catholic Church until 1992 (350 years later) to finally admit Galileo was right…

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Play ball: Damn Yankees @LandorTheatre

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