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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Theatre: The Life of Galileo

Tuesday night I caught The Life of Galileo at the National Theatre. This is a new translation by David Hare of the Bertolt Brecht play. It is an epic story (at three hours and two intervals) but still an engaging tale of how Galileo as a genius in the scientific world was unable to deal with the consequences of his genius. He was a scientist not a politician, but to state that the earth moved around the sun challenged the entire notions of Heaven and Earth so was tantamount to heresy.

Simon Russell Beale as Galileo leads a terrific ensemble as the story unfolds from his scientific discoveries to his condemnation and eventual redemption as his work is smuggled out of Italy. David Hare's translation and the production kept things at a brisk enough pace, although a three hour play after a day at work is a challenge both for the actors and the audience.  It was a packed performance too which just goes to show that Brecht too can be accessible…

By the end of the play the real victory was that science and the pursuit of knowledge did triumph of sorts… But it did take the Catholic Church until 1992 (350 years later) to finally admit Galileo was right…

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