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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Theatre: Frost / Nixon


A perfect antidote to Wednesday's debacle was the excellent play Frost Nixon at the Donmar by Peter Morgan (who also wrote The Queen). It stars Frank Langella as Richard Nixon and Michael Sheen as David Frost, recreating the interview in 1977 that led to Nixon making some astonishing statements about Watergate and obstruction of justice (including the one above). This was a sensational and gripping two hours in the theatre about a disgraced leader and a fading entertainer both trying to use each other to revive their careers.

The drama behind the scenes and in the actual taped interviews is recreated to stunning effect. A bank of television screens suspended above also brings home the impact of the close up on Nixon. The entire cast is perfect but it is Langella and Sheen had you sitting on the edge of your seat. The closing lines of the play are as follows describing a party scene years later hosted by Frost:

Walking through the crowds of air-kissing politicians, actors and high-fliers it was tough to tell where the politics stopped and the showbiz started. Maybe that was the point. Maybe in the end there is no difference. And David understood that better than all of us.

At that point with the whole cast assembled on stage, Sheen gives a knowing wink and the stage goes black. The run is sold out at the Donmar and hopefully there will be a West End transfer. Even better would be if there was a film in the works. In the meantime, theatre doesn't get any better than this...

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