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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Opera: Faust

Friday night I caught the opening night of Faust, featuring Angela Gheorghiu and Piotr Beczala. It is a fantastic production, although at three and a half hours it did test not only one's concentration but one's glutes. Gheorghiu reprising her performance from 2004 was probably better suited to this role than the one she attempted earlier in the summer with Tosca, but the jury has to be out on the blonde wig she wears in the role. It was however Beczala's night and the audience saved the most applause for him…

I did get the feeling that the best parts of the opera are all in the first half. Particularly in this production the ballet dancing through hell in the fifth act felt way too literal. All told however the production was lavish and there was plenty to take in…

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