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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Film: Volver

Sunday morning I managed to catch Pedro Almodóvar's latest film
Volver. It is such a sweet story of murder, revenge and family relationships. All the cast were great, and particularly Penélope Cruz in particular in the lead role. Although having her star in a movie as a woman poor and scrubbing floors seemed out of place. She is too glamorousus for that. It reminded me of seeing Marlene Dietrich wearing an apron cookin' up a meal for Edward G Robinson in the movie Manpower - it was just plain wrong. Perhaps things are different in provincial Spain...

Casting of Cruz aside, it was a great film. And her rather perky cleavage feature thoughout the film at key points. My favourite line was said by a supporting character to her about their plan to take over a bar and restaurant: "Between my mojitos and your cleavage we'll make a killing"... I'll drink to that.

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