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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Opera: Tosca

Monday night I caught the new production of Tosca at Covent Garden. There are two casts so I did not see the now infamous (non)star turn by Angela Gheorghiu but a fantastic performance by Catherine Naglestad who could act and had the voice for such a dramatic role. I got the ticket as A decided to swap his tickets for tonight with Saturday's final performance with Gheorghiu (and thankfully ignoring the advice from the opera house staff that he already had tickets to the better performance).

The opera sinks or swims on the strength of the soloist in playing the title role. Thankfully Naglestad was a tiger and not a Romanian kitten. Perhaps she turned up to rehearsals so she knew what to do with the heavy dress she was burdened with for the second and third act. She also was never drowned out by the orchestra. These were things you would think you would take for granted when going to see something at Covent Garden, but apparently they were missing at Saturday evening's performance …

As for the opera itself, Tosca has everything I look for when I want opera – high drama and great music – and this new production looked great and sounded great.

The biggest applause was saved for Fabio Armiliato in the role of Cavaradossi – who stepped in to replace for the remaining season Nicola Rossi Giordiano, who has had to withdraw due to illness. The production finishes this week.

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