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Searching undeterred: The Gift @ParkTheatre

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I recently had a few parcels go missing from where I live. The first parcel disappeared without a trace. The second parcel's contents were removed, and the box was left alone in the lobby. It's one of the things that you have to put up with living in central London. Apart from complaining to the delivery company and filing a police report, it crossed my mind to think about what would happen if I sent myself something rather unpleasant for a future parcel thief to open up. Well, Dave Florez's new work, The Gift, is in this line of thinking, except that the lead receives an anonymous gift of a turd in the mail rather than sending it to himself. It is lovingly gift-wrapped in a cake box from a posh north London bakery. It's a fascinating and hilarious three-hander currently playing at Park Theatre .  Colin (Nicholas Burns) is a little obsessive at the best of times. He doesn't let things drop quickly and is obsessed with the details behind anything and everythi...

Opera: Tosca

Monday night I caught the new production of Tosca at Covent Garden. There are two casts so I did not see the now infamous (non)star turn by Angela Gheorghiu but a fantastic performance by Catherine Naglestad who could act and had the voice for such a dramatic role. I got the ticket as A decided to swap his tickets for tonight with Saturday's final performance with Gheorghiu (and thankfully ignoring the advice from the opera house staff that he already had tickets to the better performance).

The opera sinks or swims on the strength of the soloist in playing the title role. Thankfully Naglestad was a tiger and not a Romanian kitten. Perhaps she turned up to rehearsals so she knew what to do with the heavy dress she was burdened with for the second and third act. She also was never drowned out by the orchestra. These were things you would think you would take for granted when going to see something at Covent Garden, but apparently they were missing at Saturday evening's performance …

As for the opera itself, Tosca has everything I look for when I want opera – high drama and great music – and this new production looked great and sounded great.

The biggest applause was saved for Fabio Armiliato in the role of Cavaradossi – who stepped in to replace for the remaining season Nicola Rossi Giordiano, who has had to withdraw due to illness. The production finishes this week.

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