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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Theatre: Fool For Love

Tonight I caught Fool For Love which is a play Sam Shepard wrote in the 1980s. It is a very compact play that lasted less than ninety minutes and where the main characters – played by Juliette Lewis and Martin Henderson - air some family issues. Shepard's themes are always the same but the way they are written are so entertaining and engaging.

Juliette Lewis, known more for her rock singing than her movie roles nowadays, seemed to be a little off tonight. Maybe there have been too much throaty singing of late which was a pity as you got the impression she thought she was projecting.

The Apollo Theatre isn't the most pleasant of theatres to be in on a warm evening. The seats are too small and the air conditioning is non-existent. There was also a series of unnecessary delays to pick up tickets and curtain-up was fifteen minutes late. Part of the problem I observed was that the agent to one of the cast members was trying to pick up a comp seat and figured that he was important enough to make twenty other people wait, particularly as he started to engage in theatre banter with the house manager and blocked access to the box office windows. As I was next in line a gentle shove was required from me to move the asshole on…

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