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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Theatre: The Voysey Inheritance

Monday I caught the Voysey Inheritance at the National. Written in 1905 by Harley Granville Barker (a pioneer of modern directing methods and an advocate of the concept of a national government subsidised theatre one learns from the programme notes), the play is full of great lines and observations of the upper middle classes in Edwardian times. The family at the centre of the drama find out upon the death of their father their wealth was the product of a finance fraud, and it is left to one of the sons to pick up the pieces. The cast helped too with Dominic West (as the son), Julian Glover, Doreen Mantle and Nancy Carroll part of a terrific ensemble.

The production is getting quite a number of raves and given that stories of insider trading, managers raiding pension funds, and financial mismanagement still dominate the news these days there seemed something thoroughly modern about the play as well…

The only downside to the production would have to be the set which not only looked cheap, blocked the view of actors. At one point I didn't realise West was on stage during the fifth act until he spoke. There was also the curious sound of running water that came somewhere from backstage. It was a bit of a distraction, particularly sitting front row…

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