Featured Post

One hundred people’s ninth favourite thing: [title of show] @swkplay

Image
[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Theatre: The Voysey Inheritance

Monday I caught the Voysey Inheritance at the National. Written in 1905 by Harley Granville Barker (a pioneer of modern directing methods and an advocate of the concept of a national government subsidised theatre one learns from the programme notes), the play is full of great lines and observations of the upper middle classes in Edwardian times. The family at the centre of the drama find out upon the death of their father their wealth was the product of a finance fraud, and it is left to one of the sons to pick up the pieces. The cast helped too with Dominic West (as the son), Julian Glover, Doreen Mantle and Nancy Carroll part of a terrific ensemble.

The production is getting quite a number of raves and given that stories of insider trading, managers raiding pension funds, and financial mismanagement still dominate the news these days there seemed something thoroughly modern about the play as well…

The only downside to the production would have to be the set which not only looked cheap, blocked the view of actors. At one point I didn't realise West was on stage during the fifth act until he spoke. There was also the curious sound of running water that came somewhere from backstage. It was a bit of a distraction, particularly sitting front row…

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre