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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Theatre: The Voysey Inheritance

Monday I caught the Voysey Inheritance at the National. Written in 1905 by Harley Granville Barker (a pioneer of modern directing methods and an advocate of the concept of a national government subsidised theatre one learns from the programme notes), the play is full of great lines and observations of the upper middle classes in Edwardian times. The family at the centre of the drama find out upon the death of their father their wealth was the product of a finance fraud, and it is left to one of the sons to pick up the pieces. The cast helped too with Dominic West (as the son), Julian Glover, Doreen Mantle and Nancy Carroll part of a terrific ensemble.

The production is getting quite a number of raves and given that stories of insider trading, managers raiding pension funds, and financial mismanagement still dominate the news these days there seemed something thoroughly modern about the play as well…

The only downside to the production would have to be the set which not only looked cheap, blocked the view of actors. At one point I didn't realise West was on stage during the fifth act until he spoke. There was also the curious sound of running water that came somewhere from backstage. It was a bit of a distraction, particularly sitting front row…

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