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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Theatre: The Voysey Inheritance

Monday I caught the Voysey Inheritance at the National. Written in 1905 by Harley Granville Barker (a pioneer of modern directing methods and an advocate of the concept of a national government subsidised theatre one learns from the programme notes), the play is full of great lines and observations of the upper middle classes in Edwardian times. The family at the centre of the drama find out upon the death of their father their wealth was the product of a finance fraud, and it is left to one of the sons to pick up the pieces. The cast helped too with Dominic West (as the son), Julian Glover, Doreen Mantle and Nancy Carroll part of a terrific ensemble.

The production is getting quite a number of raves and given that stories of insider trading, managers raiding pension funds, and financial mismanagement still dominate the news these days there seemed something thoroughly modern about the play as well…

The only downside to the production would have to be the set which not only looked cheap, blocked the view of actors. At one point I didn't realise West was on stage during the fifth act until he spoke. There was also the curious sound of running water that came somewhere from backstage. It was a bit of a distraction, particularly sitting front row…

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