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Life upon the wicked stage: Already Perfect at Kings Head Theatre

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Performing two shows a day on a Broadway run sounds exhausting enough. But when you’ve just had a not-so-great matinee and are having a crisis of confidence, I would assume the last thing you’d want is to confront your past. Yet that’s the situation in Already Perfect, writer-performer Levi Kreis’s slightly autobiographical journey of confronting the past and his younger self. With a series of toe-tapping and emotional songs in a sleek production, you’re invited to experience someone else’s therapy session. And with a show title called Already Perfect, you know what kind of session this is going to be. It makes for a show where nothing is left unsaid, even if it is unnecessary,  unbelievable or best left on a greeting card. It’s currently playing at the King’s Head Theatre .  The story begins in his dressing room after a matinee, with Kreis alone. The show didn’t go so well. Struggling after being dumped by a lover, pressure mounting on the evening show being filmed for poster...

Theatre: Enemies

In keeping with a week of corporate greed, I had the opportunity to see Gorky's play Enemies performed at the Almeida Theatre on Thursday. It is a new translation by David Hare and it was fantastic (the critics seem to think so as well). As an ensemble piece the actors worked so well together, and they were rather pleasing on the eye as well but I digress…

Gorky's play is about trouble at a Russian factory. When the managing directory of the family-run factory is shot and killed is it the start of a worker uprising or was it just an accident? The family is split between those who see conspiracies and those who sympathise with the oppressed workers, so the drama is set. This translation keeps thing going at a brisk pace and there is enough fiery dialogue in it to keep anybody's attention focussed on the action at hand. The final scene although a tad abrupt, did really sum it all up well (and was accompanied with a slight amount of theatrical flourish)…  It was enough to make you go "oooh". I think I did as I had had too much red wine by this point on an empty stomach…

It is also worth pointing out that the drama takes place on a stage that was gorgeously set - a garden with trees and grass and woodland. Not at all like the cheap set thrown together for the National Theatre's Voysey Inheritance.  

Interestingly at drinks following the play not everyone who saw the play loved it. One rather famous theatre person was pouring shit over the production in between hoovering down the canapés. Perhaps it wasn't his cup of tea as he prefers his Gorky embalmed rather than injected with real drama.  There's no pleasing some people I suppose.

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