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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Theatre: Enemies

In keeping with a week of corporate greed, I had the opportunity to see Gorky's play Enemies performed at the Almeida Theatre on Thursday. It is a new translation by David Hare and it was fantastic (the critics seem to think so as well). As an ensemble piece the actors worked so well together, and they were rather pleasing on the eye as well but I digress…

Gorky's play is about trouble at a Russian factory. When the managing directory of the family-run factory is shot and killed is it the start of a worker uprising or was it just an accident? The family is split between those who see conspiracies and those who sympathise with the oppressed workers, so the drama is set. This translation keeps thing going at a brisk pace and there is enough fiery dialogue in it to keep anybody's attention focussed on the action at hand. The final scene although a tad abrupt, did really sum it all up well (and was accompanied with a slight amount of theatrical flourish)…  It was enough to make you go "oooh". I think I did as I had had too much red wine by this point on an empty stomach…

It is also worth pointing out that the drama takes place on a stage that was gorgeously set - a garden with trees and grass and woodland. Not at all like the cheap set thrown together for the National Theatre's Voysey Inheritance.  

Interestingly at drinks following the play not everyone who saw the play loved it. One rather famous theatre person was pouring shit over the production in between hoovering down the canapés. Perhaps it wasn't his cup of tea as he prefers his Gorky embalmed rather than injected with real drama.  There's no pleasing some people I suppose.

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