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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Theatre: Enemies

In keeping with a week of corporate greed, I had the opportunity to see Gorky's play Enemies performed at the Almeida Theatre on Thursday. It is a new translation by David Hare and it was fantastic (the critics seem to think so as well). As an ensemble piece the actors worked so well together, and they were rather pleasing on the eye as well but I digress…

Gorky's play is about trouble at a Russian factory. When the managing directory of the family-run factory is shot and killed is it the start of a worker uprising or was it just an accident? The family is split between those who see conspiracies and those who sympathise with the oppressed workers, so the drama is set. This translation keeps thing going at a brisk pace and there is enough fiery dialogue in it to keep anybody's attention focussed on the action at hand. The final scene although a tad abrupt, did really sum it all up well (and was accompanied with a slight amount of theatrical flourish)…  It was enough to make you go "oooh". I think I did as I had had too much red wine by this point on an empty stomach…

It is also worth pointing out that the drama takes place on a stage that was gorgeously set - a garden with trees and grass and woodland. Not at all like the cheap set thrown together for the National Theatre's Voysey Inheritance.  

Interestingly at drinks following the play not everyone who saw the play loved it. One rather famous theatre person was pouring shit over the production in between hoovering down the canapés. Perhaps it wasn't his cup of tea as he prefers his Gorky embalmed rather than injected with real drama.  There's no pleasing some people I suppose.

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