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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Theatre: Tom and just Who's Afraid of Virginia Woolf?

How close did I get to Tom Cruise on Tuesday? Well close enough to see that he really is short. Oh and he has great hair. Getting cheap tickets at Leicester Square I had my back mostly turned on him as while it is great he mingles with the fans for hours, star worship isn't my thing… Unless it is Kathleen Turner… Turner and Bill Irwin have reprised their Broadway roles in Edward Albee's modern (now slightly revised) classic "Who's Afraid of Virginia Woolf?" It is about to close after a few months running in the West End and it was well worth seeing.

Turner may not have the looks (or the voice) she once had but she still has got something. Even with her foghorn voice she still managed to fill the stage. So much so you almost forget that there are only four actors that make up the cast in this. Irwin complimented Turner in his subtle and sly delivery.

There is so much fun to be had in watching this show about a sparring marital couple that even if it is a little overlong at three hours (and you wish they would get on with it and smash a few plates or something), you can't say that you weren't fascinated by the whole ordeal. Maybe it has been a while since I have seen the film or read the play, but this version made it very clear Martha invited the young professor and his wife around at 2am so she could fuck the young man. There is probably a central message in their about relationships but I was happy to let it serve as a warning to husbands everywhere when their wife suggests having a party at 2am…

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