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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Theatre: Musical of Musicals

Tuesday night I caught The Musical of Musicals which is playing at the Sound Theatre (part of that Swiss Building where those hideous chiming things happen on the hour in Leicester Square). I understand that at some point the building will be demolished, which will be a victory for decent architecture. Having said all that, the theatre is not a bad space. Even better was this production.

If you like your musical theatre (and hey who doesn't as what's there not to like??) then this show offers the same story about a girl who can't pay the rent, in the five different styles: Rodgers and Hammerstein, Sondheim, Jerry Hermann, Andrew Lloyd Webber and Kander and Ebb.

The great thing about the show is even if the in-jokes sail over your head, the songs and the performances were good enough to stand on their own. While the Lloyd Webber segment managed to show how much the composer loves / copies / borrows from other composers, my favourite was the Kander and Ebb segment where everyone spoke in a foreign language and had dirty sex (a la Cabaret, Chicago, Kiss of the Spiderwoman).

Jerry Hermann's parody seemed particularly apt after seeing his show "Mack and Mabel"… Now there's a composer who writes for dopey showgirls in gooey gowns… It reinforced that making your cast look less glamorous by playing their own instruments is probably not a good idea in a Hermann show.

It finishes this week and deserves to have another run…

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