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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Theatre: Musical of Musicals

Tuesday night I caught The Musical of Musicals which is playing at the Sound Theatre (part of that Swiss Building where those hideous chiming things happen on the hour in Leicester Square). I understand that at some point the building will be demolished, which will be a victory for decent architecture. Having said all that, the theatre is not a bad space. Even better was this production.

If you like your musical theatre (and hey who doesn't as what's there not to like??) then this show offers the same story about a girl who can't pay the rent, in the five different styles: Rodgers and Hammerstein, Sondheim, Jerry Hermann, Andrew Lloyd Webber and Kander and Ebb.

The great thing about the show is even if the in-jokes sail over your head, the songs and the performances were good enough to stand on their own. While the Lloyd Webber segment managed to show how much the composer loves / copies / borrows from other composers, my favourite was the Kander and Ebb segment where everyone spoke in a foreign language and had dirty sex (a la Cabaret, Chicago, Kiss of the Spiderwoman).

Jerry Hermann's parody seemed particularly apt after seeing his show "Mack and Mabel"… Now there's a composer who writes for dopey showgirls in gooey gowns… It reinforced that making your cast look less glamorous by playing their own instruments is probably not a good idea in a Hermann show.

It finishes this week and deserves to have another run…

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