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Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Theatre: Mack & Mabel

Tuesday evening I caught Mack and Mabel at the Criterion Theatre. The production was from the same team at the Watermill Theatre who brought the pared-down version of Sweeney Todd I caught in 2004 (that is now playing on Broadway). This version uses the same techniques (so the actors play the musical instruments as well) and stars David Soul and Janie Dee.

The musical was a flop when it was first produced in 1974. The music and lyrics in this show by Jerry Herman are probably the most memorable thing with songs including "I won't send roses", "Time heals everything" and "Look what happened to Mabel". Even in a pared-down version with the singers belting out the numbers and then blowing a tuba or playing the violin, the songs still were great.

Less so was the chemistry between the two leads. At intermission there was a consensus that there wasn't much chemistry between Soul and Dee. There was a bit of bitchiness that Dee (who I saw last year in a cabaret performance at the Shaw Theatre) was too old for the role as well. I figured that because I was in third row I didn't benefit from more blurry vision of further back. I did think that Dee was sounding a little huskier than normal and perhaps the wintry weather that has come back for April had given her a frog in her throat. On the plus side, for "Time heals everything" in the second act, her husky voice gave the song a club-like sound, which I thought was a nice touch… By the time the curtain came down, everyone seemed fairly pleased with the show, although not everybody was perhaps ready to write home about it…

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