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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Theatre: Burn not chatroom then citizenship...

Monday night I forgot I was at the National Theatre again to see "Burn, Chatroom and Citizenship" – three new one-act plays. Except that they only perform two and I was stuck with "Burn" during the first half. It was a bit of a bore, although had some nice commentary about social workers and car stealing. The second half was "Citizenship" and it was much more lively and funnier (no surprise when it was written by Mark Ravenhill of "Shopping and Fucking" fame). The tale about a boy who sees a girl and gets her pregnant while looking for a gay relationship was pretty funny. The characters and dialogue were fantastic (even if the plot was a bit suspect)…

The crowd was a very young crowd as these performances were originally performed at the NT last year by school children, and they all have yoof feemes and all that… So once you got past the audience belching and laughing at the wrong parts it was a good night out…  

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