Featured Post

Heavy meta: Why am I So Single? @sosinglemusical

Image
Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Theatre: The Late Henry Moss

On Thursday evening I had the opportunity to see the Sam Shepard play The Late Henry Moss at the Almeida Theatre. The first thing you notice about this production is what a fantastic set it is. It is probably the best stage I have seen since seeing Two Thousand Years at the National Theatre. There was so much detail in it that it was fascinating to look at even before the actors walked on stage.

The story of the play is two sons who come back to New Mexico to find their alcoholic father dead. But it really isn't the plot that makes the play so interesting, but the dialogue and interplay between the brothers and the locals who last saw their father alive. The acting was naturally terrific and the play unfolded like a good family domestic.

After the first half however those around me weren't sure the play was their cup of tea, but during the second half I took a glance at the rest of the audience, and it was clear people were sitting on the edge of their seats hanging on to everything that was going on stage.

Worth noting is the one female character (played by Flaminia Cinque) in this piece. There is full-frontal nudity as she jumps into a bath and splashes about – so much so that the front row near the bath got wet. I wasn't that close enough but given the theatre is an intimate space it did feel more intimate at this point. But audience participation in the story didn't end there. In the second half there was a flashback involving the father spitting out booze and wetting another front-row audience member.

Anyway, as this was my second Sam Shepard play (I saw Buried Child last year), I could consider myself a bit of a fan of his works. His sublime dialogue is really something. A favourite line from the night (to roughly paraphrase) was when one brother sneered to the other, "If I had a secret family why would I tell you about it?" Now that's something to think about…

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...