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Iron Maidens: Iron Fantasy at Soho Theatre

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Two women chase the elusive six-pack in Iron Fantasy, only to embark on an unexpected journey exploring what it truly means to be strong in today’s world. In a culture that demands visible strength and power, they subject themselves to lifting, protein powder-guzzling, and raw-egg drinking. Interestingly, consuming raw eggs elicited many squeamish reactions from members of the audience. None has obviously been to Cabaret to see Sally Bowles guzzle prairie oysters. But in the search for the attributes that make someone strong, a little more is revealed about being a young woman in the modern world. And that strength comes from a number of ways. It’s currently playing at the Soho Theatre .  It’s part performance, part musical, and part interviews, as writer-performers Shamira Turner and Eugénie Pastor, who make up the theatre performance duo She Goat, don a variety of silly costumes and play a range of musical instruments on their journey researching strength, fighting, and pumping i...

Music on the weekend...

In amongst the domesticated shopping for bits and pieces today I did manage to stop by and say hi to Barbara Cook in Dress Circle today (or at least get her autograph). Since Dress Circle is such a temple for devotees of musical theatre it was very nice to see her stop by. I didn't buy her latest album which is a tribute to her long-time accompanist and collaborator Wally Harper (I saw them both in concert in 2004 but he passed away last year) but an earlier album. but most importantly I did get her autograph. A asked whether my life was complete as a Barbara Cook groupie and I had to think about that for a minute, but she is one of the great cabaret performers of our time.

Oh and to just mix it up a little I also went to Trax Records in Soho and picked up Wayne G's version of "I just wanna fucking dance". The song was originally from "Jerry Springer the Opera" and was the highlight of the show. It was recorded over a year and a half ago by Alison Jier who originated in the stage role but has alas never had a commercial release. It is nice to see it live on as a fantastic dance track and seems to be picking up in popularity now thanks to the heavy playing in the gay clubs of Oz and the UK...

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