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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Music on the weekend...

In amongst the domesticated shopping for bits and pieces today I did manage to stop by and say hi to Barbara Cook in Dress Circle today (or at least get her autograph). Since Dress Circle is such a temple for devotees of musical theatre it was very nice to see her stop by. I didn't buy her latest album which is a tribute to her long-time accompanist and collaborator Wally Harper (I saw them both in concert in 2004 but he passed away last year) but an earlier album. but most importantly I did get her autograph. A asked whether my life was complete as a Barbara Cook groupie and I had to think about that for a minute, but she is one of the great cabaret performers of our time.

Oh and to just mix it up a little I also went to Trax Records in Soho and picked up Wayne G's version of "I just wanna fucking dance". The song was originally from "Jerry Springer the Opera" and was the highlight of the show. It was recorded over a year and a half ago by Alison Jier who originated in the stage role but has alas never had a commercial release. It is nice to see it live on as a fantastic dance track and seems to be picking up in popularity now thanks to the heavy playing in the gay clubs of Oz and the UK...

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