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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Music on the weekend...

In amongst the domesticated shopping for bits and pieces today I did manage to stop by and say hi to Barbara Cook in Dress Circle today (or at least get her autograph). Since Dress Circle is such a temple for devotees of musical theatre it was very nice to see her stop by. I didn't buy her latest album which is a tribute to her long-time accompanist and collaborator Wally Harper (I saw them both in concert in 2004 but he passed away last year) but an earlier album. but most importantly I did get her autograph. A asked whether my life was complete as a Barbara Cook groupie and I had to think about that for a minute, but she is one of the great cabaret performers of our time.

Oh and to just mix it up a little I also went to Trax Records in Soho and picked up Wayne G's version of "I just wanna fucking dance". The song was originally from "Jerry Springer the Opera" and was the highlight of the show. It was recorded over a year and a half ago by Alison Jier who originated in the stage role but has alas never had a commercial release. It is nice to see it live on as a fantastic dance track and seems to be picking up in popularity now thanks to the heavy playing in the gay clubs of Oz and the UK...

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