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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

TV: Rome

Last night the first episode of the new series on Rome aired so I was among the 6.6million people who tuned in to watch it. After a few minutes of viewing I couldn't help but think that for a show about Rome there were an awful lot of maps of Tasmania on display. Getting past the beaver and buttock shots (which were interspersed amongst gore galore – which in retrospect was an inappropriate time to be eating lasagne) there was some sort of story, which potentially could be quite interesting over the next ten weeks, but I think the story isn't the drawcard here. Get the punters in by having freshly sacrificed bovine blood rubbed over Atia's tits is the drawcard. As fascinating as all that is it just isn't as fun as A Funny Thing Happened on the Way to the Forum…

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