Featured Post

More sex and violence: Playfight @sohotheatre

Image
The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

Theatre: Glorious

On Monday evening I caught the play Glorious, which is playing at the Duchess Theatre in Covent Garden. The play is based on the last year in the life of Florence Foster Jenkins. Florence Foster Jenkins was a rich woman who staged her own opera recitals in New York in the 1940s. The only problem with that was that she was tone deaf. She also made records of her performances and her album of butchered arias is no doubt the reason for her lasting appeal and the reason this play was made.

Maureen Lipman starred in the title role and was quite hilarious. It was quite amusing watching her antics and the highlight definitely was her recreation of the "Queen of the Night Aria" from the Magic Flute. Florence on record sounded like a strangled Chihuahua and Lipman equally rises to the challenge. She isn't singing Oklahoma here…

In her recitals Florence put on some rather extravagant costumes (that she made herself) and threw flowers out at the audience. She often got so carried away that she threw flowers at audience members with gusto and then threw the basket into the audience. A month before her death she also sold-out Carnegie hall in a one-night-only show that became the stuff of legend. So there was plenty of inspiration for comic material.

In between the great "performances" the script was less interesting and full of jokes that probably played well in Birmingham (where the production originated) but seemed a little bit obvious for jaded London theatregoers. It could have done with a bit of a trim (and maybe inserting another song or two), but it still made for a rather fun night out. The best line was one of Florence's quotes: "People may say I can't sing, but no one can ever say I didn't sing". Hmm… It was also worth seeing as I don't think it will be around too long. Even though it has had great reviews I suspect it isn't the sort of thing that will pack in the punters…

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...