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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Television Torture

On Thursday evening I travelled out to White City to the BBC Television Centre to watch a taping of a variety show on musicals. It was two years since I last did this and forgot that television recordings are a five hour odyssey.

At the time I thought it was just because I was seeing a taping of Celebrity Mastermind which made it dull, but this was an odyssey too. It was one full of bad jokes (the warm up man used the line "dirty stinkin' gypos" which I thought surely wasn't very BBC-ish), hideous sets, and endless repeats of poorly arranged songs. Just when you thought it couldn't get any worse, they managed to find an arrangement to do so.

Television is a curious thing as well as what makes it what it is, is local celebrities and local in-jokes, so it is a difficult thing to appreciate culturally as well if you have not had the years of exposure to it. The host was a typical garden variety smarmy type who had hosted several game shows and curiously seemed to be well-liked by the punters. It must be something about the magic of television that I wasn't getting here, or there was a cultural gap...

Having said that, on the plus side, there was very little of the usual Musical numbers that I feared (although they may have recorded those Phantom and Les Miz numbers in previous episodes). Two numbers – a jazz version of "Summertime" and a club-act style version of "What I did For Love" actually sounded pretty darn good too. It wasn't bad hearing those twice, but for the remaining four-and-a-half hours it was less torch song and just more torture.

The recording was made for a series to be aired in January on Saturday nights on BBC1, so it will be perfect for that sort of timeslot when everyone is at home and miserable so why not inflict a cheesy show on the punters – well the ones that can't be arsed getting out on a Saturday evening….

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