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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...
Concert: Ravi Shankar

A was very impressed that he was adding to my cultural enrichment by getting me a ticket (due to a last-minute cancellation by a relative of his) to see Ravi and Anoushka Shankar in concert at the Proms. It was a wondrous and uplifting evening of musical meditation.

Well for the most part. The first half consisted of a piece by Param Vir Horse Tooth White Rock which sounded interesting in parts but it also had some very loud percussion sections. I had warned A previously that loud percussion can make me jump unexpectedly and this was no exception. It was a pity that I wasn't sitting with A so he didn't see this very undignified jolt. But his relatives who I was sitting with did, and this amused them for the rest of the performance... Well, one can't always be dignified and graceful.

After this loud and noisy piece, Shankar's Sitar Concerto followed. It was a welcome relief and I think most of the audience felt this way... You could feel the audience get more and more excited as Anoushka Shankar played and as the music continued to its finale. And as a piece of programming it was an excellent way to introduce the second half.

After the interval Ravi Shankar came on to play a series of Sandhya (evening) ragas. The sell-out crowd in Albert Hall leapt to their feet as he walked on. The atmosphere was electric. It wasn't just an evening of musical entertainment but so much more. The ragas lasted for a little over an hour and the audience was rapt throughout. The improvisation and techniques were astonishing, the music sublime, and the sensation of the performance unfolding before you was all part of the experience.

Afterwards A whisked me away from Albert Hall. He thought there were far too many South Asian Men in the vicinity for his liking. I don't know where he got the idea that I was some dirty stopout. It may have been those leering references to how friendly the South Asian men are at my local M&S... But I digress... The evening to me seemed a fairly mixed affair. And besides, music as good as this has no boundaries.

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