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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...
Theatre: Billy Elliot

A chance lunchtime meeting near the Victoria Palace Theatre meant that I snapped up one of the few remaining tickets to Billy Elliot tonight. Now the critics have been raving (well some at least) that this is the greatest British Musical ever. Well, I don't know about that (I may have found it more enjoyable than Mary Poppins but that was pretty good too) but whatever ranking you give it, it certainly was an entertaining time. I was suspecting that they surely must have broken child labour laws given how heavily the show relies on its young male star. And of course no musical is complete nowadays without its star flying through the air (no matter how preposterous this may appear). But all that aside, tonight's Billy (there are three that rotate through the role) was quite good and you get the impression the adult cast are quite protective and supportive of their young stars which gave a great dynamic to the show as well.

As for the music, there actually are some very good songs in this show, along with some great dance sequences. The songs the individual cast members sang I thought were the best, but there were some rousing anthem-like union songs, and an interesting song that marked the class divide between the police officers and striking miners (now that's something you don't always get in the West End).

It's not all ballet but I guess it is a musical so these things shouldn't be argued about too much. Unlike the film there is even stronger focus on the miner's strike and matters of class warfare. I sat next to an American who loved the show but wasn't so sure about how the union struggle would translate to the US. But I wondered more about how the Geordie accents would translate outside of London. Actually I could have done with surtitles at times as who knows what they were saying, but that's probably just me.

Given the full house (interesting for a Monday night) this show looks like it will be destined to run for some time. The punters tonight loved it. And for three hours it was a great story that transported you back to the heady days of 1984...

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