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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
Reflections on a Thursday in London

As the search begins for lost loved ones I recall going through my work yesterday. There was enough to do to not think about the events as they were unfolding. Taking calls, placing calls, locating people, background research, typing messages. It all filled time.

But the scale of it all hit me around lunchtime. That was when I first saw the bomb damage at Tavistock Square on the CNN webiste, which is just a couple of blocks from where I live. I recognised the street by the trees overhanging the road as they are so leafy and bright green. I walk down that street on the weekends on my roundabout way into Covent Garden. It isn't the most attractive part of London. The area is not really anything remarkable about this area at all, but because I live there it is familiar. I had this strong feeling of "That's my neighborhood!". Suddenly the atrocity has a very very localised feel to it.

Then to see the wreck of the red bus, its bright coloured seats and orange grab rails it is again familiar. I recall what it is like to be crammed in on a peak hour bus in central London. It is a typical London experience. And then you see that its frame is twisted and the grab rails are flailing about. You can imagine what it must have been like, but then you can't.

It is interesting however as you think well I never travel THAT way to work as if to reassure yourself that you were never in harms way. It is always entirely possible that you could be doing anything on a morning on your way to work, but you weren't.

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