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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
Theatre: Tick Tick Boom!

Caught the show Tick Tick Boom at the Menier Chocolate Factory on Thursday night. It is a soft rock chamber musical (to give it some sort of category) telling the story of a struggling musical theatre writer who is just about to turn thirty and is wondering what he is doing with his life. Now that's something I can almost relate to, and probably explained why I was happy to overlook the shaggy story at times which veered into the standard issue story of relationships, life lessons and so and and so on.

It also helped that that the production was fantastic. It looked and sounded great. The icing on the cake was the three leads as well. Neil Patrick Harris (who once found fame as Doogie Howser MD), Cassidy Janson and Tee Jaye were the cast and made the show work so well.
Neil Patrick Harris has an amazing sublime voice and Cassidy Janson and Tee Jaye were just as good.

The show was written by Jonathan Larson prior to writing "Rent" who died just before the latter show opened and went on to fame and fortune. While it wasn't the most engaging story (or at times very good music) this production certainly brought out the best of the material and was just terrific. Scott Schwartz (son of composer Stephen) directed.

The reviews have been good so hopefully it will get the punters down to London Bridge to this great venue. The theatre is very large but it is a good size for this sort of show and well worth the hike out of theatreland...

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