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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...
Theatre: Tick Tick Boom!

Caught the show Tick Tick Boom at the Menier Chocolate Factory on Thursday night. It is a soft rock chamber musical (to give it some sort of category) telling the story of a struggling musical theatre writer who is just about to turn thirty and is wondering what he is doing with his life. Now that's something I can almost relate to, and probably explained why I was happy to overlook the shaggy story at times which veered into the standard issue story of relationships, life lessons and so and and so on.

It also helped that that the production was fantastic. It looked and sounded great. The icing on the cake was the three leads as well. Neil Patrick Harris (who once found fame as Doogie Howser MD), Cassidy Janson and Tee Jaye were the cast and made the show work so well.
Neil Patrick Harris has an amazing sublime voice and Cassidy Janson and Tee Jaye were just as good.

The show was written by Jonathan Larson prior to writing "Rent" who died just before the latter show opened and went on to fame and fortune. While it wasn't the most engaging story (or at times very good music) this production certainly brought out the best of the material and was just terrific. Scott Schwartz (son of composer Stephen) directed.

The reviews have been good so hopefully it will get the punters down to London Bridge to this great venue. The theatre is very large but it is a good size for this sort of show and well worth the hike out of theatreland...

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