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Waiting for Sandy: Milked @WhiteBearTheatre

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Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...
Theatre: Tick Tick Boom!

Caught the show Tick Tick Boom at the Menier Chocolate Factory on Thursday night. It is a soft rock chamber musical (to give it some sort of category) telling the story of a struggling musical theatre writer who is just about to turn thirty and is wondering what he is doing with his life. Now that's something I can almost relate to, and probably explained why I was happy to overlook the shaggy story at times which veered into the standard issue story of relationships, life lessons and so and and so on.

It also helped that that the production was fantastic. It looked and sounded great. The icing on the cake was the three leads as well. Neil Patrick Harris (who once found fame as Doogie Howser MD), Cassidy Janson and Tee Jaye were the cast and made the show work so well.
Neil Patrick Harris has an amazing sublime voice and Cassidy Janson and Tee Jaye were just as good.

The show was written by Jonathan Larson prior to writing "Rent" who died just before the latter show opened and went on to fame and fortune. While it wasn't the most engaging story (or at times very good music) this production certainly brought out the best of the material and was just terrific. Scott Schwartz (son of composer Stephen) directed.

The reviews have been good so hopefully it will get the punters down to London Bridge to this great venue. The theatre is very large but it is a good size for this sort of show and well worth the hike out of theatreland...

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