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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against
Music: André Previn and the LSO

Tuesday night caught André Previn and the LSO performing Mozart's Piano Concerto No 24 in C Minor and Shostakovich's Symphony No 10 in E Minor. Previn's 75 this year (or he may be 76 but little facts like that get in the way of pressing schedules) and as a tribute to their former music director, the LSO have been holding a series of concerts to mark the occasion.

It was an amazing performance. Previn played the piano for the concerto as well. The Mozart was probably a little too light after a busy day in the office, but there was no chance the Shostakovich would send you to sleep. At times it was like it would wake the dead.

Whatever his age may be, he has been a prominent figure for so many years it is easy to remember most of the photos around of him are often a decade (or two or three) old. But today, on Tuesday night, he was quite an old man. He shuffled on stage with his head arched low. He changed glasses for conducting and playing the piano. At one point it looked as if like he wasn't so stable on his feet. But through all this you could also see that he was having a tremendous time. Just before starting the Shostakovich he looked up over the orchestra and smiled at them all before giving the upbeat. It looked like it was all fun for both conductor and the orchestra.

As a "bonus" for the Tuesday evening, the LSO also presented a new short work as part of its Sound Adventures programme. It was a piece of a lot of noise and was interesting the sounds a big symphony orchestra could make. It was also written by a very talented new British composer. But it did sit a little oddly next to the Mozart. Nevertheless judging by the reviews most of the punters thought this way of introducing new music to the public was a smashing idea. Well sort of anyway... Well giving the punters new music was never going to be easy...

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