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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
Dance: Naked (of sorts)

Caught George Piper Dances / The Ballet Boyz preview of their new production Naked at Sadler's Wells last night. Dance, video projection, lighting and music combined to tell a story of love and revenge etc. While I could not follow the full story (short attention span), it certainly looked great, and the dancing was quite exciting and clever at times. Particularly the scene the boys have together in the second act - a stylised fight of sorts - seemed to have everyone on the edge of their seat. Not being a dance afficianado I don't know the significance of the choreographic choices made, but it is fascinating to watch people do things with their bodies that you assumed wasn't possible or legal in some countries...

The production was stopped 10-15 minutes into it as the sound system kept popping and cracking. I actually had thought that was part of the effect but apparently no. The show was delayed for 45 minutes while they sorted it all out and many people took the opportunity to head to the bar for the unscheduled interval. When we got back I couldn't really tell what had been improved (it was that sort of music). Not that there was a problem with the music, it was perfectly suited to this sort of thing, but when there are scratches and cracks and pops throughout it, it is hard to distinguish between what is intended and what is an audio malfunction.

Later, back in Soho for drinks, people were quite interested in the programme cover which depicts two bodies writhing around covered by little pieces of fabric. It all looks very smart and stylistic and sexy so it should be able to pull the punters in for the week it is playing... Oh and is there any garden variety nudity? Well no, not unless you count the video projections that project an enormous set of buttocks in the first act...

Overheard at the bar at the Well...

American Girl: (to barman) Just the house red please. I am American, I don't need classy...

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