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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
Theatre: A patch of blue

Last week I decided to claim credit for F voting for the first time (it was all that incessant chatting about political processes that did it), so this week I taking credit for getting F and A to the Kings Head Theatre to see A Patch of Blue. I pointed out that apart from being a culturally enriching outing, we would be supporting one of the few surviving theatre pubs in London, before Wetherspoons or some other antiseptic chain moved in and took away its character and turned the theatre space into a restaurant… Well it may not get like that just yet, but the theatre's long-term future is hardly certain.

Anyway back to the play. It was originally a book, then a film with Sidney Poitier and Shelley Winters about a blind girl living in an abusive home meeting a black man and falling in love. Oh and it is the Deep South (America). The end result wasn't as predictable as all the situation might have alluded to however. The acting was also terrific which helped give everything some credibility…

The staging wasn't bad for the confined space of the theatre either. Although there were two issues I had:

  1. There was an extended sequence at the beginning where the blind girl is raped. It probably wasn't necessary to inflict the small audience with two minutes of screaming and rape… but we got it anyway…
  2. Towards the end of the first act, a clap of thunder which was part of the story had me jumping out of my seat and exclaiming "Jeeeezus", much to the amusement of F and A. In a desperate effort to regain some dignity, I tried to explain that I was just getting caught up in the drama but they didn't buy it.

Leaving the theatre I asked F and A if they were glad they went. There was general agreement that it was worth the effort, although F thought that the poster made the lead far more attractive than he was in real life. I disagreed suggesting that if there was a problem it was because he wore the same shirt and trousers throughout the play and we didn't get a good perspective of his range. A commented that as she prefers café au lait men more anyway she wasn't in a position to make a final call on this…

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