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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
Concert: Barenboim plays Bach

Sunday Afternoon caught Daniel Barenboim playing Bach's Preludes and Fugues from Book 1 of 'Das wohltemperite Clavier'. Translated that is "the well-tempered keyboard". The first hour were numbers 1-12, then after intermission there were 13-24.

It was a sellout concert given Barenboim's mega-star status. There was a long queue waiting in vain for returns. Inside the hall, it was just him, the Steinway and the preludes and fugues.

On stage there was magic. There was also a bit of tapping and fancy footwork, which initially was a bit distracting. The hands may do the hard work, but the rest of his body seemed to be locked in a constant struggle with the counterpoint. I didn't have the best vantage point and wished I was sitting on the other side so I could see his hands (rather than the body of the piano) but I guess you can't have everything...

He has just released a CD of this as well, which he was signing at the end of the concert. I assume that with the amount of tapping onstage that he must have worn shoes with rubber soles in the recording studio.

I do think there is a limit to the amount of Bach one can take in in an afternoon and during the second half of the concert my mind began to wander. Scanning the audience I noticed that I wasn't the only one getting restless as there was some serious fidgeting and moving about going on. Running into a colleague from work after the concert there was agreement with this sentiment. I had to go home and listen to something less pretty and complex. So I passed on the signing of his new CD, leaving hundreds of others waiting in line...

And then...

During the Bach concert while my mind was wandering I decided that I would give the memorial service for D that was on today in London a miss. There is nothing like Bach to get your mind straight and your thoughts in order...

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