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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...
Art isn't easy: Caravaggio

I had pre-booked tickets to see at the National Gallery Caravaggio: The Final Years, which everyone has been raving about, and it was worth it. Some amazing pieces of the artists work made in his final years together in the same location was quite impressive. Those that recommended the exhibition to me I suspect were devotees of the Derek Jarman film from the eighties which certainly focused on the homoerotic nature of his works (and the artists impulses in that direction)... The exhibition suggests his life was a little more complex than a raving queen who got into fights and killed a man, but it all made for interesting context when looking at the art.

Actually amongst the hoards of people at the exhibition there were quite a few friends of Dorothy lurking amongst the darkened rooms and I thought it was if the curators were trying to add some of the seediness of the life the artist led to the exhibition. In fact the darkness was to bring out the artwork - which in some cases was damaged or in poor condition - but that didn't stop that strange feeling that one was being followed from room to room. Just as well there were only six rooms.

Afterwards I quickly ducked into the main gallery to look at Seurat's Bathers at Asnières. The Van Gough collection on the opposite wall is always more popular, but I just like this one. And unlike Caravaggio, there is all that colour and light...

Overheard at the Caravaggio Exhibit

Foreign tourist #1:Zha zzzha zhaa zha Caravaggio.... gay.
Foreign tourist #2:Ahh nozha zha zha zha Caravaggio... bisexual!

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