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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against
Music: LSO and Elgar

One of the nice things about London is that

  • You can go online Sunday morning and see what's on, and book a ticket to see an evening of Elgar. It was the Elgar Violin Concerto and Symphony No 1 with the London Symphony Orchestra, Richard Hickox (conductor) and Tasmin Little (soloist for the violin concerto). It was a fabulous performance.
  • You can get a cheap seat at the Barbican to see it. Mine was £5 because I couldn't see the full orchestra, but I could see the double basses very well (for what that was worth) and the sound was excellent.
  • You can show up to the concert wearing any old thing including sandals with socks. I didn't, but the man next to me was in sandals. He was with his wife and they looked like they had been together for some time so that may explain why they let themselves go.

Incidentally I wore a smart new jacket that I picked up yesterday for a song while doing some retail therapy. Forgot to bring glasses however so I have no idea if I was being noticed...

One thing about London audiences, they can be a noisy lot. Tonight there was:

  • General coughing and spluttering throughout the performance. I wondered given the average age of the attendees whether there was an ambulance on standby as some didn't sound like they were going to make it to 10pm.
  • Someone's alarm going off for at least thirty seconds during the second movement of the Symphony that the acoustics of the Barbican Hall picked up perfectly for everyone to hear.
  • Someone perfectly timing a loud AAAAH-CHOO! just as the music went quiet. If people are that comfortable to sneeze loudly they should be encouraged to burp and fart perhaps as well.

You also have to pity the performers. As the moment they finish many people in the audience leap to their feet. Not to give a standing ovation, but to get out. It has become a growing trend I have noticed at various venues here in London. No applause just a stampede out the building. Afterall, parking can be such a bitch...

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