Featured Post

One hundred people’s ninth favourite thing: [title of show] @swkplay

Image
[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
Music: LSO and Elgar

One of the nice things about London is that

  • You can go online Sunday morning and see what's on, and book a ticket to see an evening of Elgar. It was the Elgar Violin Concerto and Symphony No 1 with the London Symphony Orchestra, Richard Hickox (conductor) and Tasmin Little (soloist for the violin concerto). It was a fabulous performance.
  • You can get a cheap seat at the Barbican to see it. Mine was £5 because I couldn't see the full orchestra, but I could see the double basses very well (for what that was worth) and the sound was excellent.
  • You can show up to the concert wearing any old thing including sandals with socks. I didn't, but the man next to me was in sandals. He was with his wife and they looked like they had been together for some time so that may explain why they let themselves go.

Incidentally I wore a smart new jacket that I picked up yesterday for a song while doing some retail therapy. Forgot to bring glasses however so I have no idea if I was being noticed...

One thing about London audiences, they can be a noisy lot. Tonight there was:

  • General coughing and spluttering throughout the performance. I wondered given the average age of the attendees whether there was an ambulance on standby as some didn't sound like they were going to make it to 10pm.
  • Someone's alarm going off for at least thirty seconds during the second movement of the Symphony that the acoustics of the Barbican Hall picked up perfectly for everyone to hear.
  • Someone perfectly timing a loud AAAAH-CHOO! just as the music went quiet. If people are that comfortable to sneeze loudly they should be encouraged to burp and fart perhaps as well.

You also have to pity the performers. As the moment they finish many people in the audience leap to their feet. Not to give a standing ovation, but to get out. It has become a growing trend I have noticed at various venues here in London. No applause just a stampede out the building. Afterall, parking can be such a bitch...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...