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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...
Monster music on Good Friday: St Matthew Passion

Caught the (near) sell out concert of St Matthew Passion with the City of London Sinfonia and BBC Singers last night. Richard Hickox conducted, and the Evangelist was played by Tom Randle who was superb. The first time I had seen someone treat the role as though it was retelling a drama and not reciting an oracle (although the music at times does tend to lend itself to being the latter).

At three hours in length however it is a marathon effort - for the performers and the audience. It is one of those pieces that can work really well or fail spectacularly. I was in a performance of the latter once, so it was nice to see the former happen last night.

For those in the audience that didn't feel like DVT was setting in, they rewarded the performers with a raptuous applause. They had definitely earned it, and you could sense the relief in the faces of the orchestra members and chorus that it was over. They certainly earned their performance fees last night...

I found out when I got there that one could have stayed at home and listened to it on BBC Radio 3, but it is more fun being there live... Even with the possibility of DVT. Oh and last minute purchase of one of the few remaining seats meant I was surrounded by pensioners (and the curious smell of mothballs)... They never give you the demographics of who is sitting around you however when you book alas...

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