Featured Post

Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

Image
It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...
Moving from NW6 to WC1

Today I finalised getting a new place in Bloomsbury. Hello Central London. Farewell West Hampstead. Its a downsize but a sensible location. Rather than pack of course spent way too much time wandering around West Hampstead, which seemed a little daft given the light sleet/snow that was falling from time to time.

Theatre: Talk to the hand/ass/stigmata

Jerry Springer outing last night wasn't bad, although some of the principals were not performing and it showed a little (lacking a bit of style alas). I sat next to a man from New York (who was in London for a week and had seen at least a show a night - although he was a theatre teacher/director) who enjoyed it a lot and couldn't believe what he was hearing (or seeing)...

Unlike a Jerry Springer show, the characters in the Opera are quite likeable which gives the show its charm amongst all the profanities. The morality of it all is still a bit ambiguous. Is it a critique of modern TV - the celebrity culture where people will do anything to get attention - or is it reveling in the swill of it all? It leans towards the former, but it also celebrates the latter, which is definitely an explanation as to why it gets up people's noses.

Outside the theatre there was also a group of little old ladies and little old men handing out pamphlets from the Christian Voice. This organisation is an anti-gay, anti-established Church (it's too liberal apparently) and generally bemoaning the debauchery and sin of Britain... Well compared to Australians the British are a saucy bunch so maybe they should all emigrate if they weren't so preoccupied with wanting to save Britain...

Anyway the leaflet makes a few arguments about the blasphemy and depravity of the show (particularly in the second act), but omits the fact that the second act set in hell is taking place inside the head of Jerry Springer as he falls unconscious after getting shot.

It is Jerry's version of Christianity that is unfolding and I get the feeling it is meant to be deeply offensive yet funny at the same time. In a way the audience is laughing at the extreme liberalism of it all. Of course it still all comes down to interpretation so no doubt there will be pickets outside whatever theatres it plays when it goes on its national tour. No doubt a little controversy will help the ticket sales, as it isn't the most commercial show to tour...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...