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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e
Moving from NW6 to WC1

Today I finalised getting a new place in Bloomsbury. Hello Central London. Farewell West Hampstead. Its a downsize but a sensible location. Rather than pack of course spent way too much time wandering around West Hampstead, which seemed a little daft given the light sleet/snow that was falling from time to time.

Theatre: Talk to the hand/ass/stigmata

Jerry Springer outing last night wasn't bad, although some of the principals were not performing and it showed a little (lacking a bit of style alas). I sat next to a man from New York (who was in London for a week and had seen at least a show a night - although he was a theatre teacher/director) who enjoyed it a lot and couldn't believe what he was hearing (or seeing)...

Unlike a Jerry Springer show, the characters in the Opera are quite likeable which gives the show its charm amongst all the profanities. The morality of it all is still a bit ambiguous. Is it a critique of modern TV - the celebrity culture where people will do anything to get attention - or is it reveling in the swill of it all? It leans towards the former, but it also celebrates the latter, which is definitely an explanation as to why it gets up people's noses.

Outside the theatre there was also a group of little old ladies and little old men handing out pamphlets from the Christian Voice. This organisation is an anti-gay, anti-established Church (it's too liberal apparently) and generally bemoaning the debauchery and sin of Britain... Well compared to Australians the British are a saucy bunch so maybe they should all emigrate if they weren't so preoccupied with wanting to save Britain...

Anyway the leaflet makes a few arguments about the blasphemy and depravity of the show (particularly in the second act), but omits the fact that the second act set in hell is taking place inside the head of Jerry Springer as he falls unconscious after getting shot.

It is Jerry's version of Christianity that is unfolding and I get the feeling it is meant to be deeply offensive yet funny at the same time. In a way the audience is laughing at the extreme liberalism of it all. Of course it still all comes down to interpretation so no doubt there will be pickets outside whatever theatres it plays when it goes on its national tour. No doubt a little controversy will help the ticket sales, as it isn't the most commercial show to tour...

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