Featured Post

Waiting for Sandy: Milked @WhiteBearTheatre

Image
Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...

Nasty boys: Gentlemen @Arcolatheatre


It's a tough life in an elite university. If you thought college was a place for caring, understanding, nurturing and tuition, you might be in for a big surprise. In Matt Parvin's Gentlemen, it's the latest battleground for the culture wars. Everything is a score to be settled with sanctimony, mind games or both. Everything is about fitting in or resisting all attempts to conform. It's currently playing at the Arcola Theatre. 

The premise is that Greg (Charlie Beck) is meeting with the college welfare officer, Timby (Edward Judge). Kaspar (Issam Al Ghussain) has alleged bi-phobic comments about his sexual orientation. Greg is also potentially up for charges of assault. 


Both freshmen, the hormones and the anger race as fast as their minds. Soon, the concept of right and wrong, fitting in or being an individual, gets into many grey areas. Will an example be set of loudmouth Greg from a struggling background, or will he be given one last chance? Each takes turns pleading their case (or manipulating) Timby. And he seems sincere yet impotent. 

It's a tightly written piece, with the scenes moving between one character and the next. You also get some sense of the pressure facing young people to study, to succeed, to fit in or not with its perverse results. And while kudos for featuring a bi character, it's not the most positive depiction of bi-inclusion. 

The cast does well, perhaps too well, at creating this insular world where outrage or fitting in seems to be the only two paths to follow and where common ground seems elusive. 

And perhaps that's the point of the play. We're running out of safe places to learn and reflect. And that appeasing the polarised is not particularly satisfying. Whether you find it an enjoyable piece of theatre might depend on where your sympathies lie. I settled on the two boys being two little shits, so I remained ambivalent about the piece's politics and arguments.

Directed by Richard Spier and written by Matt Pravin, Gentlemen plays at The Arcola through to 28 October. 

⭐️⭐️⭐️ 



Production photos by Alex Brenner

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...