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Waiting for Sandy: Milked @WhiteBearTheatre

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Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...

Love is all you need: The Island @cervantesthtr


A drama set on the seventh floor of a non-descript hospital waiting room may not be everyone's idea of a great night at the theatre. But love and all other forms of the human condition are dissected in Juan Carlos Rubio's The Island. Translated by Tim Gutteridge, it feels like everything is up for grabs. What is love? Is it a bond between two women with a fifteen-year age gap? Is it the love between a mother and her son with a severe unknown disability? A wonderful life full of health and happiness is not always an option on the menu, and the choices may become a bit less palatable.

Throughout a series of sometimes banal conversations, what comes out is a story of two women with lives that are separate and together. And while the piece becomes darker on one level as it progresses, it never ceases to fascinate and draw further insights into the couples. It's currently playing at the Cervantes Theatre


A couple waits in a hospital waiting room for the outcome of an accident with their son. But over the discussions about lousy coffee and age gaps, it becomes clear that there is something more than the potential loss of their son at stake here. There is the fragile nature of a relationship between two people. There is the resilience and resourcefulness of two people wanting to maintain the status quo. And there are also some pretty frank depictions about what being a mother can be. 

The cast is like two islands, as described in the play. Coexisting and cohabitating. But not necessarily together. It's fascinating to watch as both evolve throughout the piece. The mother, Rebecca Crankshaw, is harrowing as she recounts the events leading up to the accident as if it were just another ordinary thing. Rebecca Banatvala, the younger woman in the relationship, provides a strong and stable character at first, but then you watch her crumble as events take a surprising turn. 

It is a small-scale drama that feels epic in scope by the end of it as it delves into darker feelings about human nature. But one that is a revelation all the same. 

Directed by Jessica Lazar, The Island is at The Cervantes Theatre until 21 October. 

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