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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Richmond Panto: Aladdin

Some fun costumes, and a great performance by Tim Vine (pictured far left) as Wishy Washy keep Aladdin at the Richmond Theatre as a sensible evening out for families (or very big kids) who don't mind a mild case of panto over Christmas.

This version of the Aladdin follows a fairly traditional storyline. Aladdin works in his mothers laundry, meets a princess and after stumbling across the lamp with a genie, is granted riches that allows him to marry her. Well he would have married her if that evil Abanazar didn't get in the way. The loose plot is an opportunity to show off some great costumes, sing a few songs and tell a few gags. A few more filthier jokes for older members of the audience (timed to sail over the heads of the younger ones), and a few more modern tunes would have made the show better.

Of course for the younger members of the audience, who were likely to be experiencing their first time at the theatre this did not matter so much. They were hooked on the drama anyway... So much so that when Abanazar goes to steal back the magic lamp they were shouting out with such indignation.

Suzanne Shaw who has a dual purpose role of genie of the lamp and ring was a bit of a damp squib. It isn't really a star role and she doesn't have much to do. The other cast members don't fare much better with material that is pretty light on jokes and heavy on plot... During these scenes it was an opportunity for those in the audience with crayons to colour in their programmes, or for those in the audience without crayons to look on at the others who did with envy.

Nevertheless, even when the sound is a bit wobbly and the story getting a bit hoary, Tim Vine comes to the rescue with an assortment of bad jokes that sound good. The staging of the Abbot and Costello routine, "Who's on First" also comes across as fresh and funny as well. It runs through to 13 January.

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